Have you ever wanted to draw or paint a portrait of a family member or favourite celebrity and not know where to start? Or perhaps your attempt at drawing a child made them look much older, or your attempt at painting a friend looked like someone else entirely! Then this beginners’ course is for you! Carole will guide you through many of the skills needed to achieve a likeness and produce a good portrait. Working from photographs, we will study the features, proportions, bone structure, pose and composition as well as colour mixing for flesh tones, hair, and backgrounds. Carole will demonstrate in a variety of media, showing you tricks and techniques to achieve your goal. You can work in monochrome with pencil, charcoal or pastel pencils, or use soft pastels or watercolours. On Saturday evening after supper there will be a portrait demonstration. Tutor: Carole Massey Carole Massey is a popular and supportive tutor who has been teaching at Flatford Mill for nearly 20 years. She managed her own successful design partnership before returning to her first love of painting, which currently involves a combination of tutoring, demonstrations, private commissions, exhibitions, TV appearances and filming for a leading online website. A recent portrait commission for the Bank of England of Sir Charles Bean, deputy governor now hangs in the bank in perpetuity. She is a regular contributor to art magazines and has written many teaching Artbooks, published by the award winning publisher Search Press, with international sales exceeding 250,000. Her latest books are “Drawing for the Absolute Beginner” and “The Beginners’ Guide to Drawing Portraits” which will be on sale on the course. Carole has exhibited and demonstrated at the Mall Galleries, London, and her work is in a number of private collections in the UK and abroad. She now lives in Suffolk. What to Bring You can work in monochrome, soft pastels or pastel pencils. Should you wish to restock, here are some suggestions:- DRAWING A 3B pencil A4 or A3 medium surface cartridge paper (i.e. not too smooth) Charcoal sticks or a black charcoal pencil, plus a white pastel if you wish to work on tinted paper A kneadable eraser Masking tape, if you are using loose sheets of paper on a drawing board WATERCOLOURS Colours: Lemon yellow or Aureolin, Cadmium Yellow or Indian Yellow, Raw Sienna or Yellow Ochre, Burnt Sienna, Light Red, Vermilion or Cadmium Red, Permanent Rose or a Crimson Red, French Ultramarine, Phthalo Blue or Winsor Blue or Cerulean, Optional- Cobalt, Cobalt, Magenta. Watercolour paper e.g. Bockingford, Arches, Saunders Waterford or Fabriano etc Semi rough or ‘Not’ 140lb (300gsm) in loose sheets or a pad approx. size 38 x 28 cm (15” x 11”) Brushes, Nos 5, 8 and 12 round. Masking fluid and suitable applicator (optional) PASTELS A good range of soft pastels, (NOT oil pastels) colours to include creams, flesh colours, greys, pale purples, cool greens and blues, ochres and browns, as well as some darks. Artists’ colours e.g Unison, Sennelier, Schminke, W&N etc. are preferable to “student” ranges which lack strong pigments and are less easy to blend. Pastel Paper: One or two colours e.g. cream, buff, warm or cool grey, or pale green, but this very much depends on personal preference; I like Canson MiTeintes “Moonstone” which is a pinkish grey. Sand textured papers are also suitable for pastels, and available in a range of tints. A stump (or torchon), colour shaper or cotton buds for blending Paper or newspaper to cover finished work Fixative (optional) Latex gloves to keep your hands clean (optional) An apron

What's included in the price?

Expert Tuition Free Wi-Fi Full Board Accommodation Hot and Cold Drinks


3 days (6:01pm to 4:01pm)

Cancellation policy

Easy - Cancellation and a full refund can be obtained up to 2 weeks before the course starts


Suitable for

  • Adults
  • Seniors
  • Teenagers
  • Wheelchair users
  • Limited mobility
  • Residential
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Flatford Mill Field Centre, East Bergholt, , Suffolk, CO7 6UL